PS How to pull up the scenery of the Japanese system

I like to travel with my camera, record the journey with the lens of the beautiful scenery, remember that there is a good advertisement words written "No ordinary scenery, only the barren mind", with a relaxed literary mood to travel is a happy thing, here to share some fresh scenery shooting experience.

　1, the large light to delineate the focal lens

The advantages of focusing lenses with large light: first, the fixed-focus lens is relatively lightweight, followed by the aperture is large enough to cope with a variety of complex aperture, such as night or backlight. I usually travel with a 20mm or so super wide angle lens aperture around F2.8, and then with a 35mm or 50mm of the fixed Gio circle around F1.4. This can basically meet the needs of travel photography.

　　2, follow the backlight.

Because it is shooting fresh scenery, I personally like the backlight to depict the small scenery around, so often in the travel time will go to find the location of the backlight shooting, so that the outline of the main body with natural light to complete, the main body will be more prominent, the screen also conducive to the later adjustment of fresh tones

　　3, the Grand view of the small scenery are walking

Because with the fixed-focus lens, so the composition is basically by controlling the camera and the distance to be photographed to complete, want to make a big scene back a few steps, want to shoot close-up when as close as possible to be photographed scenery, travel itself is to keep moving around, so constantly adjust position is very important. Composition also pay attention to stay white, on the one hand can make the main body more prominent, so that the photos have breathing space, on the other hand for the later add text to leave enough space.

4, late Ning owe not past

Later adjustment on as far as possible not too, the overall picture of the contrast is not too high, color saturation should not be too high, the overall color bias printing standards. Here to share my later process for reference.

Before the formal explanation of the late, first look at the lower front and the late contrast chart.

First of all, in the PS camera raw in the adjustment, in the basic panel to adjust the contrast and saturation of the screen.

Then, in the curve continue to adjust the overall contrast, and in the RGB curve adjust the hue of the high light and dark, as the main cherry color bias magenta, and the sky color more blue.

For sharpening and noise reduction processing.

Adjust the brightness, saturation, and hue offset of each color in the HSL settings.

In the separation of colors in order to match the fresh style, specially in the high light and shadow add a small amount of cyan blue.

Classification:

• PS Image Processing