PS Super Realism-the course of kettle

Before the tutorial starts, do some preparation work, look at the picture should know how to do it. This is the preparation for the kettle.

1: New file, size for 1000*1100. With a resolution of 300 pixels, pull the ellipse with the Ellipse tool and add two strokes below the ellipse. Only adjusts the three dots in the red circle, moving a few pixels each.

2: Enter the channel, perform the selected modifications-shrink. The shrinkage is 25. Reverse-Select the fill black and deselect. Executes the Gaussian blur under the filter. The values are 30 20 10, respectively.

3: Back to the Layers panel, new layer (renamed to Pot), filled with white. Perform the lighting effects under the filter, setting as shown. If you don't like the light angle, you can set it yourself.

4: Press CTRL + mouse left key point path through the panel just modified ellipse (red). Press m, then press ↑ on the keypad to move a few pixels up (dashed line)

5: Press Shift+ctrl+i. Press DELETE. Ctrl+d. A pot body is made.

6: Build a new layer on the pot layer, fill the green, the value is 67 92 55. and is grouped in the pot layer. Mode to overlay instead.

7: Layer style under the execution layer-projection, inner shadow, outer glow. Set as shown in figure.

8: Use the Eraser tool to choose the right pen, rub on the green layer, note that the corner of the kettle is the most powerful peeling. Merge connection layers.

9: Set foreground color to 58 66 55. Build a new layer and use a lasso tool to draw a free selection along the center of the pot. and perform feathering, with a value of around 5-10. Press Ait+delete. Perform a filter under noise-add noise with a value of about 9. Mode to filter, merging linked layers.

10: Build a new layer, renamed as the cover. Press the M key to set the gradient to a 148/128/128,b 180/164/164,c 62/40/40,d 17/8/9, E 32/17/17.

11: The shape of the cover is pulled out with the rounded Rectangle tool (radius 10). Linear gradient pull out the body sense of the lid. The new layer is renamed as cover pattern, and the vertical pattern on the lid is made with the above method, but the shape has changed. Make a post copy, move to the appropriate location, and merge all the overlay layers. Change cover pattern to soft light. and cover layer links and and.

12: Perform edit under Transform-counterclockwise 90 degrees, perform filter-twist-shear. Perhaps not enough to do at one time, do more than a few times.

13: Build a new layer on the pot layer, with the selection tool to do an ellipse, with a radial gradient pull out the feeling of indentation, do this step when you need to pay attention to the perspective of the lid relationship. The metal on the cover is also used to make the cover and merge several layers that belong to the lid. Perform layer style-drop shadow.

14: Create a new layer rename the tape, press M key, pull out the selection and fill the pattern (horizontal lines), perform the transformation under the edit-90 degrees rotation. Performs a filter under warp-shear. Then perform the transformation under edit-90 degree rotation.

15: Layer style under the execution layer-gradient overlay, set style to linear gradient, angle 90. Sets the color to a 49/41/26,b 20/15/9,c 103/93/70,d 144/140/104,e 177/173/139,f 251/245/224,g, and the mode changes to multiply. Perform a bevel relief and then perform a projection.

16: According to the above method to make each tape, and link merge. Press CTRL + the left mouse button dot-level panel of the pot layer, pull out the pot of the selection. Changes under the execution selection-extension, with a value of 10. Press Shift+ctrl+i. Press DELETE. Ctrl+d. The tape in the pot is done. Note: The 15 and 16 steps of the layer style are all to cancel the use of global light, when each tape to pay attention to the location of the belt, the light exposure is different.

17: Make sure the tape layer is the current working layer, press O, select Rough pen, and pressure set to 50%-60%. Randomly click on the tape, make the tape stale white feeling, you can also use the above we used to change the layer mode to add point stains. Use the Smudge tool to wipe out the striped hairs.

18: The background wall of the production, to determine layer 1 for the current work layer, into the channel panel. Creates a new channel, filled with white. Perform a filter under the texture-particles (strength 40, contrast 50), Gaussian Blur 2, dynamic blur (angle 90, the greater the distance the better), noise-add noise (quantity is 1). Go back to the layers panel and make sure Layer 1 is the current working layer, set the foreground color to 130/125/105, and press Ait+delete. Performs the lighting effect under the filter.

19: Build a new layer on Layer 1, set foreground color to 180/183/186, press Ait+delete. Grouped with layer 1. Change the layer mode to overlay. Perform layer styles-projection, inner glow, bevel relief. Use the rubber tool to rub the feeling of the wall damage at random.

The above values are not necessarily copied. Can be flexibly mastered. Look at the final effect.