PS Synthetic burning down of the vintage battle plane picture

The composition of this tutorial is more stress-dynamic production. The author's idea was to show a plane that caught fire and crashed. The main point of the production is the flame part of the aircraft fuselage. The production is not very difficult, but the processing of more details, the time to deal with patience. Final effect

First, Photoshop opens the airplane footage shown in the image below.

Second, it is unrealistic to feel that the plane looks a bit too clean. Let's add some noise, create a new layer, perform filters > Noise > Add noise, set the number to 50, and select Monochrome.

Three, mixed mode set to [soft light], opaque to 40%, and then press Alt between the noise layer and the aircraft layer click, add a clipping mask (you can press CTRL + ALT + G plus the clipping mask).

Four, in order to make the aircraft dynamic, what we have to do now is to let its propeller rotate, obviously I am talking about the visual dynamic, rather than really moving. To do this, we first have to replicate the plane and then extract the propeller. The concrete operation presses CTRL+J to copy the plane layer, and moves to the top layer, then uses the pen or the Lasso tool to elect the propeller, after the election removes the fuselage. In order to facilitate browsing, we can first hide the following aircraft layer.

Five, we pull out the propeller to duplicate a layer, rotate a small angle, and then select the Fuzzy tool for the blade of the propeller fuzzy treatment, hardness of 0%, strength of 50%.

Six, we have blurred the propeller to duplicate a layer, and then rotate a small angle, opaque set to 50%. You can decorate with the smudge tool and eraser for best results.

Seven, in order to render the atmosphere we want, we have to add some smoke effect to the propeller. Create a new layer, then select the Brush tool, hardness 0%, about 10px in diameter, draw a black circle around the propeller and a brown circle.

Nine, show the plane below, see the effect.

And then we'll add some burn marks, flames and smoke, so we've got a picture of the burning footage.

Xi. We directly drag the burning footage into the image we are working on, because it may be used again and again, so I'll copy it first. Then we rotate to the right place, add the mask, select the black brush, the hardness is 0%, erase the parts we don't need in the mask. In the process of processing, you need to constantly adjust the opacity of the brush to achieve the best transition effect. This step we are going to wipe out is mainly the traces of burns.

12, this step we have to do some smoke effect, smoke to add at the rear of the machine, drag-like. If you feel that the smoke in the material is not very good, you can find another smoke material, or directly with the filter > Rendering > Clouds, handling the smoke effect. It's best if you have a brush.

13, now we have to deal with the effect of the machine tail burning, we intercepted a piece of burning traces on the material. and put it at the end of the machine.

14, Mixed mode set to [strong light], and then add a mask, in the mask with a brush erase unwanted parts.

This step we deal with the effect of the flame, we in the material to intercept a flame burning part, and then added to the tail, add masks for processing. In the process of processing, you need to constantly adjust the opacity of the brush to achieve the best transition effect.

16, we copy a layer just before the flame moved to the fuselage, and then processed in the mask. The fuselage flame is relatively less, because the aircraft is falling, the flames are mainly concentrated in the tail. (for the convenience of observation, we first hide the fire at the tail of the machine when dealing with this step.) )

Finally, after some details are processed, a background is added to complete.

Category:

• PS Composite Picture Tutorial