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●Experiences in organizing and repairing jsfl results
For your favorite SWF animation, it is worth the time to perfect the response FLA timeline, troubleshoot, remove errors, and restore to the original state. The following experiences are for your reference:
When we look at the new "timeline", we will feel a lot "not used ", in fact, these "abnormalities" are caused by too many "Layers" and "frame-by-frame sequence". We have already known the cause of this problem through the above descriptions. So, we can completely repair the timeline appearance to the most reasonable state.
· Merge "layers" to make full use of the space of the layer and move the key frame sequence to the blank spaces of other layers. After processing, the timeline can be reduced to two or three layers.
· Move the "layer" with strong content independence in the scenario to a new scenario, as shown in. From 959th frames, it is likely that the original product is a new scenario! |
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· Restore the "Action deformation" animation and view the "frame-by-frame" sequence one by one. If the component names of objects in a sequence are the same, the "Action deformation" is used ", please keep the first and last key frames, select the transition frame, use the "clear key frames" name to delete it, And then reconstruct the deformation, most of them can be "frame-by-frame.
For example, by viewing the object attributes of the two key frames at the beginning and end of each layer, you can see that the sequence is "Action deformation ": |
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| This is the case after the "Action deformation" is restored, and the timeline has been restored to its original face: |
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· You can further change the automatically generated layer name (LX) and component name (symbolx) of jsfl to make the timeline more personalized and easy to understand.
After the above processing, the "trace" of jsfl is basically wiped, restoring the familiar editing environment for further learning.
The error rate of "state deformation" in step 2 is relatively high. For example, if that happens, it may indicate that a deformation object has been lost. In this case, you can refer to the figure behind the deformation to fix the deformation, as shown in: |
| As you can see, the figure in the Last modified key frame has been lost, so the content of the key frame where the pointer is located is likely to be similar. Refer to its graphic features and add it to the deformation after it is dispersed, it can be fixed. |
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When 3, the running results of the new timeline are slightly different from those of the original one. Generally, you can find the result on the editing page. You can press the "Enter key" to move the playback pointer, press the "ESC" key to find the error source. Generally, a symbol or object mixed signature is missing. However, if the MC content is incorrect, you have to double-click MC to continue the MC timeline search.
Lifecycle 4 is a fatal error, and the running results of the timeline are confusing or even blank. This situation is complicated. One possibility is that some files are missing during import, most of them occur in animations that use special components and have complex logical relationships.
In this case, the error cause is usually displayed in the "output" window. You can find the error cause based on the information in the "output" window, and some can remedy it.
● Practical Value and precautions of ASV
ASV and similar software have made a solemn statement: the purpose of this software is used to restore the FLA source file that has been lost in your work, but I think, not many people actually use asv and other software to reconstruct their own works. An admirable use is to analyze others' works, learn the structure, design methods, and production ideas of films.
The most important thing is that you must never copy other people's work, or take the resources in others' films as your own!
At least, it should not be used for commercial purposes. When using some technologies and materials in others' works, it should also be noted clearly.
This is different from those free template resources. These templates even openly encourage you to modify existing projects and provide transplanted documents and materials. We can use these templates with confidence.
In addition, we can also get a lot of fla source files from the network. These FLA files are not accidentally picked up by others, but are willingly presented to fans, we also advocate learning and learning-based learning. while absorbing and digesting others' skills, we integrate our own ideas and then provide them to our friends to create a sound learning and communication link chain.
While ASV is facing the final flash product, some of which are also configured with read protection. At the same time, the capabilities provided by ASV are sufficient for learning. Below are some of my experiences:
Objective 1 if you want to simply learn the structure and programming skills of a video, you do not need to perform "jsfl" at all. You can use ASV's powerful film browsing function to achieve your goal. In ASV, combined with the information of each tag window and timeline, it actually contains all the content of "jsfl". The difference is that the information is managed centrally by classification.
Scene 2 tries not to refactor (jsfl) films of great scale and using a large number of special components, because the success rate is not guaranteed, jsfl will occupy a large amount of system resources during the process, once your hardware configuration doesn't work, this process will stop. At the same time, you have to be patient. Sometimes it seems that JavaScript has not been moving for a long time, but as long as the mouse symbol is like an "hourglass, it means that JS is not "dead", and it is being analyzed!
Tip 3 if you only want to extract clips from a video, ASV is extremely important. Images and images can be stored separately or in batch in the format you need, especially audio clips, ASV claims to support various compression modes, while in other similar software, most exported MP3 files cannot be used!
Ipv4asv is called a "script Browser" and is undoubtedly Code Has the most complete set of functions. If you are particularly interested in an animation programming effect, you can learn at ASV. |
| ASV not only displays the complete object level, timeline, and frame level information related to the code, but also provides detailed processing commands: |
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Of course, you can use jsfl to restore the animation timeline by learning other people's products in the most comprehensive and intuitive way. The above description illustrates that ASV is not only a jsfl type. We should make full use of and reasonably choose the various functions that ASV provides to us.
Next, I will provide an example: Play the Iraq war. Please continue ...... |
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