Not what to say, but how to say it. No two people speak the same way, and their physical differences will affect the way the mouth moves, comparing what people, horses, and birds say when they speak the same word. Since it is impossible to spit out every syllable of a letter clearly, many times some letters are ignored, and "probably" can be read as "probbly", with only two syllables.
Let's go on to the next section on how to make a script painting. Before we make a script, we have to make a general preparation, whether it's long or short, and we start with the selection. After the outline has been chosen, we will think about the style of the work, and don't forget to make the form of the paragraph (Sequence) in the previous storyline. Try to divide it into s. F class, action category, pure and humorous category, according to your classification method, the paragraph can be more or less. However, there are a few points to note in the paragraph:
A. In the subparagraph, it is important to keep the work in the same direction. For example, if the protagonist moves from right to left, then normally the other person is moving in the opposite direction.
(The image below is a scene of the enchanted Woman's house.) )
B. To accurately set the size of each piece of the staging script, the percentage of the screen, the structure of the picture, etc.
C. In order to get into the next stage of work more smoothly, we need to have a good understanding of the meaning of the staging script, and to add some skills when necessary. For example, to create a suitable atmosphere, and to give the characters a suitable expression, if you do not pay attention to these two points, I am afraid and the director's intentions will be somewhat different.
D. Work on sound and sound effects to achieve the results that will resonate with the audience.
Not familiar with the language and symbols can not, because it is the tool you use to communicate with colleagues oh.
E. You have to be accurate and vivid in order to better represent the viewer's intentions, time frames, and important scenes and actions.
If there is no good, it is very easy to make the audience boring mood. If the time distribution is not considered, it will also affect the overall effect of the film.
F. In general, it is necessary to consider the time of each lens several times to repeat, how to decorate the scene, in deciding these circumstances, and then do it later.
If you do not pay attention to this, then in the Shadow (keyanimation) production process, it may occur over time or time remaining. Also, be aware of the length of your lines and keep them in mind. Because the voice actors speak faster than the average person, so pay attention to the coordination of the time.
In the process of editing, cut out the part of the timeout and add content to the time that is still rich. These are some of the issues that should be noted.
The analysis of the cartoon idiomatic methods
1. Many special effects of the screen (oil painting, color lead, various effects) as a static frame, by pushing, pulling, shaking, moving the lens, to achieve special effects.
2. Several Zhang Jingxian images are transformed by fading, folding and other means. (just shouldn't be too much)
3. The static frame and the special effect combine, the motionless picture and each kind of movement special effects combination simple but has the effect.
4. Not the intense scene, the general one lens only one or two will appear the action, and the action amplitude is not very big.
5. Overall planning to do more circular action, as far as possible, the audience will not remember the benchmark, through the change of scenery, plus special effects and other means to use these loops.
6. In a lens, there is no expression on the body movements, there is no body movement expression.
7. Generally, the beginning of each episode has a synopsis, or in a certain set of episodes to add an episode to summarize, so long as the previous animation, you can gather a lot of volume. (but don't add too much if you don't want to hate the audience)
These are all kinds of savings and lazy methods, but only to learn these methods, the film is rough to see. Let's take a look at some of the reasons why some films use so many lazy methods to look good:
1. First of all to have a good script, action on the simplification to continue to attract people, the content must be rich, full.
2. The characterization of the characters of meticulous, different characters through different expressions, words and deeds embody a different character. (This is a crucial point.)
3. Attention to the atmosphere of the rendering.
4. If there is static frame picture, as far as possible with special angle of view, special artistic technique performance, this does not appear monotonous.
It is said that the Japanese animation is rough and simple, the characters move less, will be lazy. However, a simple move and a small amount of action, but can be deeply complete the display of characters, this is not to be admired. It seems that the action is not more, but whether it is the good performance of the characters. It's not about moving your mouth, it's about saying something. Sometimes less action and more expression, but more than the action and less expression appears to have more depth.
Now that we are at the stage of learning innovation, we might as well learn these crooked things and think I use them.
A. In the subparagraph, it is important to keep the work in the same direction. For example, if the protagonist moves from right to left, then normally the other person is moving in the opposite direction.
(The image below is a scene of the enchanted Woman's house.) )
B. To accurately set the size of each piece of the staging script, the percentage of the screen, the structure of the picture, etc.
C. In order to get into the next stage of work more smoothly, we need to have a good understanding of the meaning of the staging script, and to add some skills when necessary. For example, to create a suitable atmosphere, and to give the characters a suitable expression, if you do not pay attention to these two points, I am afraid and the director's intentions will be somewhat different.
D. Work on sound and sound effects to achieve the results that will resonate with the audience.
Not familiar with the language and symbols can not, because it is the tool you use to communicate with colleagues oh.
E. You have to be accurate and vivid in order to better represent the viewer's intentions, time frames, and important scenes and actions.
If there is no good, it is very easy to make the audience boring mood. If the time distribution is not considered, it will also affect the overall effect of the film.
F. In general, it is necessary to consider the time of each lens several times to repeat, how to decorate the scene, in deciding these circumstances, and then do it later.
If you do not pay attention to this, then in the Shadow (keyanimation) production process, it may occur over time or time remaining. Also, be aware of the length of your lines and keep them in mind. Because the voice actors speak faster than the average person, so pay attention to the coordination of the time.
In the process of editing, cut out the part of the timeout and add content to the time that is still rich. These are some of the issues that should be noted.
The analysis of the cartoon idiomatic methods
1. Many special effects of the screen (oil painting, color lead, various effects) as a static frame, by pushing, pulling, shaking, moving the lens, to achieve special effects.
2. Several Zhang Jingxian images are transformed by fading, folding and other means. (just shouldn't be too much)
3. The static frame and the special effect combine, the motionless picture and each kind of movement special effects combination simple but has the effect.
4. Not the intense scene, the general one lens only one or two will appear the action, and the action amplitude is not very big.
5. Overall planning to do more circular action, as far as possible, the audience will not remember the benchmark, through the change of scenery, plus special effects and other means to use these loops.
6. In a lens, there is no expression on the body movements, there is no body movement expression.
7. Generally, the beginning of each episode has a synopsis, or in a certain set of episodes to add an episode to summarize, so long as the previous animation, you can gather a lot of volume. (but don't add too much if you don't want to hate the audience)
These are all kinds of savings and lazy methods, but only to learn these methods, the film is rough to see. Let's take a look at some of the reasons why some films use so many lazy methods to look good:
1. First of all to have a good script, action on the simplification to continue to attract people, the content must be rich, full.
2. The characterization of the characters of meticulous, different characters through different expressions, words and deeds embody a different character. (This is a crucial point.)
3. Attention to the atmosphere of the rendering.
4. If there is static frame picture, as far as possible with special angle of view, special artistic technique performance, this does not appear monotonous.
It is said that the Japanese animation is rough and simple, the characters move less, will be lazy. However, a simple move and a small amount of action, but can be deeply complete the display of characters, this is not to be admired. It seems that the action is not more, but whether it is the good performance of the characters. It's not about moving your mouth, it's about saying something. Sometimes less action and more expression, but more than the action and less expression appears to have more depth.
Now that we are at the stage of learning innovation, we might as well learn these crooked things and think I use them.
A. In the subparagraph, it is important to keep the work in the same direction. For example, if the protagonist moves from right to left, then normally the other person is moving in the opposite direction.
(The image below is a scene of the enchanted Woman's house.) )
B. To accurately set the size of each piece of the staging script, the percentage of the screen, the structure of the picture, etc.
C. In order to get into the next stage of work more smoothly, we need to have a good understanding of the meaning of the staging script, and to add some skills when necessary. For example, to create a suitable atmosphere, and to give the characters a suitable expression, if you do not pay attention to these two points, I am afraid and the director's intentions will be somewhat different.
D. Work on sound and sound effects to achieve the results that will resonate with the audience.
Not familiar with the language and symbols can not, because it is the tool you use to communicate with colleagues oh.
E. You have to be accurate and vivid in order to better represent the viewer's intentions, time frames, and important scenes and actions.
If there is no good, it is very easy to make the audience boring mood. If the time distribution is not considered, it will also affect the overall effect of the film.
F. In general, it is necessary to consider the time of each lens several times to repeat, how to decorate the scene, in deciding these circumstances, and then do it later.
If you do not pay attention to this, then in the Shadow (keyanimation) production process, it may occur over time or time remaining. Also, be aware of the length of your lines and keep them in mind. Because the voice actors speak faster than the average person, so pay attention to the coordination of the time.
In the process of editing, cut out the part of the timeout and add content to the time that is still rich. These are some of the issues that should be noted.