Zhang commented on the new "Three Kingdoms": "Wolong mourning", which is a pain point for people who want to vomit: When has history become a belief of the Chinese people)

Reprinted order:

This article is not because of the comments of the Three Kingdoms. Here we will not discuss how the Three Kingdoms Act. The following attitudes towards history are the places that the streamer shares with me, or even cultural misunderstandings of Chinese people including me.

A little less fantasies, a little more at your own heart, with a certain understanding you will have this understanding.

An ambitious politician, a strategist who is good at playing cat and mouse games, a vigorous man, a moody weirdo, a life-loving bole, and a wise poet, there is often a headache in the body of a person who is whispering. An endless artistic image is what we expect.

A nation that has lived for too long will have many historical associations in the face of a rock, and the true stone becomes a mark of history. It seems that we are not looking at a tree, but enjoying the historical heritage. In the face of specific things and individuals, we first think of turning it into a historical specimen. In the face of history, we will talk forever and start with the road. In the face of the individual, the self and the soul, we will be speechless. History becomes a religion. It seems that the storyteller is doing worship, watching historical TV series replaces prayer, and touching old historical botnets has become a frequent homework, reading the "Mr. Gu JIU's journal" became a national growth ceremony. History hangs over our heads and hearts like dark clouds.

In order to make history easier to remember and deeply rooted in the hearts of the people, we have invented the special and strange style of history, rather than the legends of heroes and novels. The legend of heroes shapes a strong and perfect personality model among our ancestors. The novel focuses on the experiences of a weak and defective individual in history. The history of those who are confused in the history of the sauce tank with relish, such as the conceptual Liu Bei, Kong Ming, Cao, Sun Quan, Yuan Shao, Dong Zhuo. In classical narrative literature, Romance of the Three Kingdoms is the worst kind of literature. Conspiracy, hypocrisy, violence, lies, and enchanting techniques are not suitable for children, at least for parental guidance. This is especially true after the TV series.

Recently, many TV series "Three Kingdoms", both new and old versions, have caused a lot of discussion. Which version is better and closer to history. The "Three Kingdoms" in narrative literature does not need to be completely loyal to the "Three Kingdoms" in history books; the TV series "Three Kingdoms" do not need to be completely loyal to the "Three Kingdoms" in novels ". They are different understandings and interpretations of historical events and novel characters in different ages. For literature and art, the key to the problem is not the logic of the History sauce tank "Zun Cao Yi Liu" or "Zun Liu Yi Cao, whether there are artistic creations and Modern perspectives. Artistic creation is not a propaganda of historical events, but a re-understanding and reproduction of character and destiny.

From the performance perspective, the new "Three Kingdoms" is better than the old "Three Kingdoms. This is reasonable. If we repeat the old Three Kingdoms, or even worse than the old ones, then we will all be white for the past 15 years. The old "Three Kingdoms" is simply terrible: a model, a pretentious expression, a false cry and laughter, a lack of coordination between white language and physical movements, and a face-like makeup of Peking Opera. I don't understand why the actors have come to laugh in a style in three or five scenes. All the audience did not smile, and only the actors laughed.

The most shocking thing is the "Wolong mourning" scene, which shows people trembling and vomiting. Because it is not like Kong Ming crying, but Kong Ming's wife is crying. Why strengthen this "crying scene "? Why did Kong Ming laugh twice after hearing the death of Zhou Yu? It can be seen that when they are dealing with "crying" and "Laughing", their brains are in disorder, and their thoughts on historical romance and performances are stirred up. There was no progress in the new "Three Kingdoms" drama. It was almost a clone of the old version, and it was worse than hitting Zhou Yu's coffin. In short, their smiles make people cry, and their cries make people laugh.

The new "Three Kingdoms" seem innovative when dealing with the images of Cao and Liu Bei. Unlike ordinary people, Cao has a better interpretation of his singular character. As a rare Chinese man with a headache, his character is rather vivid. However, actor performances sometimes do not converge enough, which makes Cao show a kind of inconsistent frivolous character, such as seeking a sigh of relief and looking in the mirror in public. Liu Bei added the "Big husband" element in his character, but he was too cold and resolute, and he was not clever enough. In art, he seemed abrupt and unconvincing, as if he wanted to replace Cao. Sun Quan acted naive, as if playing a young idol drama. Some female actors were chosen incorrectly, and apparently they were rashly engaged. Chinese history has never paid much attention to female image, as has the TV series.

If there are other people who want to repeat the image, they should take more time in Cao's character profiling. An ambitious politician, a strategist who is good at playing cat and mouse games, a vigorous man, a moody weirdo, a life-loving bole, and a wise poet, there is often a headache in the body of a person who is whispering. An endless artistic image is what we expect. Historical Dramas should get rid of the romantic thinking and enter the artistic thinking, so that complicated characters and artistic images are deeply rooted in the hearts of the people, rather than exploring conspiracy, hypocrisy, violence, lies, and demons into the hearts of the people.