Piercing the gray Soul collide

Vennuna The winter sun through the Chinese National Painting Studio A studio floor glass, according to the Zhangjiangzhou of his body, the eyes of his curly hair, laughter, it is difficult to imagine such a refined painter once brought soldiers, fought.　　This contrast also exists in his figure painting, both in the west of the sun, beautiful, but also the city of oppression, distress, but in the common behind the gray ink, he reveals his nostalgia for pastoral and criticism of urban life.　　Accumulation of regression with the soldiers, fought war, painted oil painting, engaged in sculpture, but also done art editor, Zhangjiangzhou in the beginning of the creation of traditional Chinese painting, walked a lot of people did not walk the road. Children like Happy graffiti Zhangjiangzhou, after secondary school began formal study of Chinese painting, because it will draw, he is very much in school by the teacher reuse, out of the blackboard, posters are indispensable to him.　　Zhangjiangzhou High school graduation coincided with the "Cultural revolution" period, not soldiers will have to go to the countryside, because the father joined the army, grew up in the army compound, he has a natural longing for the military and goodwill, very naturally when the soldiers. In the late 70, Zhangjiangzhou on the front lines and went to war. After the battlefield, because of the art expertise, he did a cultural officer, posters, illustrations have been painted.　　Later, he was admitted to Zhongzhou University's Academy of Fine Arts, after graduation and returned to the army, organizing amateur art creation. Before the age of 30, he mainly created oil paintings, and once won the first prize of the PLA Art exhibition. In 1990, he was transferred to Beijing for 6 years as an art editor, with little painting. In fact, in his heart or want to draw Chinese painting, on the one hand, because of the small hobby, and with the growth of age, his understanding of traditional art deepened, more by the Chinese painting attracted.　　Because of a chance, he entered the National painting Academy in China, began to devote himself to the creation of Chinese paintings.　　The harmony of art is very important to the perfection and development of art, if Chinese painting merely stares at the cultural details, it is obviously not enough to absorb different kinds of good things, and in the perfection of the painting language, he hopes to have a new form of intervention.　　Vigorous, high-spirited, when the soldiers of the 20 years of Zhangjiangzhou still retain the military imprint, this experience also let him harvest a lot, the special requirements of the military to a person's quality, character shaping influence is very large, embodied in painting is a kind of masculine qi and a kind of upright. Western Pastoral "I go to a place may not draw, this area of the subject matter back also may not directly to draw, is there ' bubble ', live, can get a lot of things in the city.　　"Zhangjiangzhou to Gannan Tibetan Autonomous Prefecture and ethnic minority areas, the collection of material is superficial, more important is to life, nature to Yangxin, heterotrophic, the spirit strong, let the heart beautiful."　　Zhangjiangzhou felt that the lack of emotional communication between urban people, the relationship is more and more indifferent, for the name of a lot of things, the ultimate good ideals and feelings of people are eroded by business culture, and in the process of civilization relatively lagging behind the minority areas have retained a lot, where he is often very small things moved. He was in the Gannan of a nomadic family.Two nights in the face of him, the stranger, the family without security to entertain, absolutely no doubt he has any intentions, purposes.　　Although it is a meager fare, language communication is not very smooth, but he can still feel friendly, so that the heart overflowing with good mood. Every morning, the 12-year-old boy of the host family put more than 100 yaks on the grassland, before the sun set, and then all the cattle back to the barn, and one by one tied well.　　See this scene, Zhangjiangzhou think of his son was also 12 years old, the city of 12-year-old children still in front of the mother, and Tibetan children have assumed the responsibility of family life.　　Although the little boy Long so the Dalian County did not enter, no TV, no radio, many modern civilization he has not enjoyed, his only pleasure is with the children next door grazing, play together, but in his face, in his temperament, there is no trouble, he does not know what is trouble. "I can't understand a word he speaks, but I can often hear his happy laughter, the laughter itself is very moving, I feel his life is full of pleasure."　　"Zhangjiangzhou reflect on what the city offers to humans, maybe we have everything, materially more than the child enjoys, but we are not happy." Although the little boy is young, he is particularly responsible.　　Once Zhangjiangzhou and he went to herd cattle, they both rode a horse, the little boy must sit in the back of the Zhangjiangzhou, began to Zhangjiangzhou thought the little boy is for fun, then he found that the little boy is afraid of Zhangjiangzhou fell, must sit behind his waist.　　There was a detail that Zhangjiangzhou so memorable that he and the little boy rode on a horse and ran on the prairie, a pair of small black hands suddenly stretched from his back to touch the reins, the little boy to the grassland within a few kilometers are very familiar with, he knew that there is a small ditch in front, to touch the reins, afraid of Zhangjiangzhou fall. "I am very moved, in the Tibetan area, I often in a kind of moving, this for a painter's feelings of cultivation, spiritual cultivation function is very big, only your inner beauty, your painting can be beautiful, only your spirit strong, your painting tension can swell up."　　"Zhangjiangzhou feel that in the city for a long time, the screen will become more and more shrinking, every year he will go to the west or remote areas, in that vast, exerted, rough environment, people and nature, the interlinked things will affect the human spirit and emotion." 1998, Zhangjiangzhou to Gannan Tibetan painting, the creation of "holy passers-by" and other works more than 10.　　He has not interrupted the creation of Tibetan themes, including a painting of the impulse, but also the release of emotion. Urban backlight "as a contemporary figure-painting home, away from the reality, away from the secular world is unreasonable." 　　"Zhangjiangzhou that urban culture is a prominent representation of contemporary culture, as a character painter should have their own attitude, value judgment, aesthetic choice, to assume the responsibility of a cultural development." Grey is a way of expression of Zhangjiangzhou painting language. He likes to use grey, because the gray spirit content is big, the space is big, alsoCorresponding to his interpretation of contemporary urban culture, the process of modern civilization, the material is greatly enriched, but the spirit and culture are slipping.　　"99 Backlight" series, "00 status" series is his early urban works, with a critical attitude, through the contemporary urban youth Life description, convey a distress, anxiety, longing and weariness, lazy mentality. Fan, curator of China Art Museum, after seeing his City series, said that the Zhangjiangzhou on the ink is the use of "painting" to produce new visual effects. In recent years, he has consciously controlled the painting in the thick pen heavy ink, the ink color pressure in the "gray system", so that the screen presents a high profile and Matt feeling of the atmosphere.　　The space of his work still seems to echo the deep and low tenor mixed. A man may have two sides, cheerful optimism is the role of people in my society impression, when the stop busy, calm down when the heart, there is a kind of heart will not be touched by others, the most true, most sensitive, the most beautiful, may be in the painting, and in life and work may not see.　　In his paintings, Tibetan theme of the sun, beautiful, urban theme of the gloomy, depressing, and even distorted, on the surface of the contrast is very large, but behind the common embodiment of the painter's view of contemporary culture, pastoral nostalgia, and in turn also explained his critical attitude towards urban life. After decades of painting, Zhangjiangzhou deeply realized that the real expression of emotion is the first in painting.　　A person's temperament, self-cultivation, will be reflected in their own works, is not allowed to tell you lies, or your painting is certainly not good, revealing the feeling must be inexplicable, a good painter must be able to accumulate their own, self-cultivation, subtle emotional changes through the pen to reveal in the picture. The interview to Zhangjiangzhou several times by telephone and various affairs interruption, daytime he is always busy, only in the dead of night, he has time to pick up the brush. But the administrative work of the cumbersome, did not let him feel tired, on the contrary, he is very happy, "administrative work is not only to consider the works, to pay attention to the national culture of the big plan, the Chinese art of the overall thinking, these will be in your painting." "In the Army tempered willpower and physique, in the battlefield experience of life and death Test, should also be Zhangjiangzhou can not know fatigue, keep the foundation of passion."