Detailed explanation of vocal music knowledge

The voice in singing is not exactly the same as the voice in speaking. It is wrong to sing or enlarge the voice in speaking mode. This will be of no color, not a music-based voice. Therefore, the voice of speech cannot meet the needs of singing. We must pay attention to the voice method, those who help students learn to sing can make beautiful, beautiful, and persistent scientific and artistic voices.

1. Throat and sound band
The throat and vocal band are the vocal organs of singing, the core part of singing, the fortress for singing as a whole, and the golden key to open the art treasure of singing. Therefore, it is necessary to understand and understand the position and status of the throat and vocal cords during singing. Generally, the throat position during singing should be lower than that during normal speech (just like the throat position when we breathe deeply, because the throat position when we breathe is slightly lower than the throat position when we are still) many people refer to the position of the throat as a "horizontal position" when the throat is in the air ". When singing, the throat should always be in this position, rather than leaving the horizontal position up or down, or move to the left or right. Of course, the stability of the throat position is relatively stable in motion, rather than static. Just like the principle that the ball is always on the water, if the ball is compared to the throat, the ball is floating on the water as if the throat is stable in the suction position. Therefore, when singing, the throat should always be in a low and free stable position and the opening of the throat wall.

2. Open your throat
In singing training, opening the throat is a very important central link, which directly affects the sound quality. "Open the throat" means to stabilize the throat in the correct position. The mouth is scaled up and down into an arch, And the tongue is relaxed. After the mouth is flat, the teeth are closed, the chin is naturally relaxed and pulled later, and the throat is opened at this time. So how can we help beginners "open their throat?

1) The "yawning" State can enable the mouth to open naturally, relax, raise the mouth, and increase the space in the mouth. Therefore, when singing, do not close your throat. To open your throat and breathe freely, "yawning" is indeed a good way to open your throat, it also ensures a good singing status. During Normal exercises, you can also shut up and "Yawn". When you close your mouth, the status inside is also open and lifted, if we can maintain this state during singing, then your voice will not be "white" or "flat, your voice will be "vertical" and "circle.
2) We use the "Smile" State to open our throat. The "Smile" we say is not just a smile, but rather a smile. The "smile muscle" is raised to open the nose, the throat, the big teeth open, the smile on both sides of the face (cheek bone) is smiling, such a smile can make your throat open, this allows you to obtain high-position sound. "Singing state is the yawning inside, the smile at the head", this is very incisive.

3. Sound sound Center
The vocal area is the basis for singing. Without a sound vocal area, we cannot talk about anything else. We should pay attention to the exercises in the central acoustic area, and spend more time in the central acoustic area. Do not rush to sing high voices. During the exercise, we first start the exercise at medium and small volume in the middle voice area. After a considerable period of consolidation, we gradually develop towards a higher or lower phoneme, beginners must follow the principle of easy and difficult to step by step. Otherwise, they will not get the correct tweeter but destroy the vocal cords. The central voice zone should be bright, easy, smooth, and effortless. In this way, we can develop upwards and open the channel for singing. The voice in the central acoustic area should not be forced to increase the volume, but should be natural and flexible, requiring beautiful sounds and sound flexibility. Each important audio area is a central audio area. In the central acoustic area, we need to breathe deeply, breathe naturally, be flexible, be positive, have support points, and ensure stable loose throat. No matter how high or low the sound is, the feeling of the throat is in the same position, and the sound must be sent out, but the sound must be kept in the same sound type and position from start to end. We often say that "the sound should be like a pearl and put every sound on an online line", that is, the sound should be consistent, unified, and round.

4. Audio change Zone
When you sing from the bass to a certain place, you will feel difficult and easy to shell. This is the change area. At this time, you must use some method to continue singing. The speaker should first master the vocal area singing method, and then make specific adjustments from person to person. You can use the following methods:

1) The action of "One breath" is to make a one-breath action when the song is singing to another sound (with a vowel at the same time, it seems like the physiological status of "scare", let the throat slightly down, backward let back, in order to make the mouth fully open, while singing in the middle of the Sound area to send the breath behind the gums, as the pitch moves up gradually and the mouth opens gradually, the voice feels higher and sends it to the farther forward. At this time, the sound naturally enters the sound change area.
2) The conversion method of the mother voice is to mask the voice in advance when singing to the change area. The voice is a bit darker, the amount of gas is smaller, and the tongue is raised a little. When you encounter a sound change point, you must emphasize that, when you feel that the sound is difficult to sing, or even when the sound is broken, do not change the form of the vocal organ, do not change it, if you are not busy, you must stick to singing with your voice. In fact, changing the sound point is always a problem of "sound mixing", that is, the combination of true and false sounds. Some sounds are composed of fake sounds, but they cannot be completely fake. They must be mixed with the real sound, so that there is no trace of sound cohesion, and the sound will not be empty or empty. Therefore, the transition of voice points will also learn the singing of false sounds, and the location of false sounds is of great benefit to singing and solving the unification of sounds.