Tip Animation Effect:
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This time, the motion and the lens. source file from the 04 work "The Ten sides of the ambush," a fighting scene in some cases action and lens it's a lot more than just using one lens to work with each other, and there's some experience to say. See the source file specifically
In this whole operation, we used a total of 5 small shots, each with a letter frame label to represent the action of a small paragraph. A total of 6 with a number of frame labels instead
Let's talk about the combination of the camera and the action.
A camera with action 1 This little shooting only shows a sword-piercing action.
b Lens with action 2 in the first half of the jump and then switch to C lens
C lens content is rich, including action 2 in the second half of Action 3 action 4 of the first half and two people at the same time do the action lens also followed in the rotation C lens is the essence of this whole fight
The D lens includes the second half of Action 4 and action 5, but these two swords are short, quick movements.
The e lens is action 6 action is more complete
Now to analyze the specific switch we know that an action usually has several steps to prepare for a burst and a buffer is actually the meaning of transferee action 2 from Lens B continues to the lens C switch position in this action is the beginning of the Take-off is the end of the action is the state- Jump in the air ready to kick out to action 4 is also across the C and D of the two lenses look at the position of the switch is in the action of the end of the time to do the switch is the sword stabbed in the moment before the time to receive D lens is a burst of
Why this is the biggest reason is to increase the power of action in the course of the movement of the sudden change of a lens from different angles to see the action of the next games it's visually refreshing, so we have to do a little bit of switching before an action breaks out, followed by a burst of action. Visually there will be a double stimulation of explosive force is stronger
To sum up, we can see that the timing of switching lenses can be mastered in the period before an action erupts.
Of course, the best way to switch lenses is not too frequent. This can cause visual fatigue on the reaction of the lens of the switch is to match the action should be in the appropriate time to increase the explosive force also to take into account the integrity of a group of actions also need a certain degree of rhythm can not blindly switch quickly combined to
So we put the best part of the whole thing into the lens C and let this little action not do the lens switch very complete before and after several switches front A and b to mobilize the mood of the audience a first slow 1.1 complete short action and then with B this lens into the body of the action of the complete two rally and the camera followed by rotation And then the C lens is over, but the action is 4 and it's not over. This is the tail lens for connecting the next shot. D is not long but contains an outbreak of action 4. And the complete action 5 These two times the sword is the climax of the whole movement. The lens e is prepared for the next big group of actions.
So it looks like we've got a transferee. The feeling of the beginning is a and b is the lens C eruption is the lens D to the next group is e more orderly both increase explosive force and maintain the integrity of the action
This time, that's all.