1. Prophase
Theme selection: This is to be considered before shooting. It is my opinion that the subject matter of the film should first conform to the standard of "Japanese system", and the characteristic is that it may be relatively light, the main body of the element. such as the Seaside, Sky, flowers, cats, and some small still life decoration. The popular point is to compare the so-called "small fresh" rather than "heavy taste". Otherwise, even if the color is processed, it will create a sense of Shong.
Photography language: This is to choose a good subject to consider after. such as composition and angle of choice and so on. For example, we can see that the "Japanese" photo style is relatively light, and some of the high light overflow, which requires us to set aside space in the composition. In the light angle, if the condition allows, we can choose to use the backlight angle of the light to make the whole picture more light. Of course, there is no law, here is just an example, the specific situation or need to be specific analysis.
2. When shooting
Parameter settings: When shooting parameters, should be as close as possible to the above we think. For example: the appropriate increase in exposure compensation, use below the current lighting conditions of color temperature, reduce the saturation in the color style or appropriate tonal to the green direction of adjustment, etc. (color style is Canon set method, Nikon I do not know ...). As for the upstairs @ Zhongqi classmate mentioned style file, those who are custom-made well, the landlord can also consider. I have used, the feeling advantage is: Convenient, fast, not late. The disadvantage is: not intelligent, leading to sometimes not very easy to use ...
3. Late (finally come to the point ...)
Later, there are many late tools to choose from, such as LR, PS can be. Here take PS as an example of a brief introduction ... First on the original image, assuming we refer to the above method, we get a more consistent with the standard, such as the following figure:
Can see, this picture is relatively light, and have the light of the backlight ... (but note that the next time you should take the UV mirror to avoid the bottom left corner of the Phantom ...)
Filter: One of the inverse days of PS is that it has countless palette filters. Here recommend one: Nik Software Color Efex. Turn on Filters-select Cross Process (cross print)-select l05/l07 or any other hue-Adjust intensity details-click Finish. (This filter, of course, also offers a lot of other palette functions.) )
The effect is as follows:
Manual: Another inverse of PS is that even without a filter you can make the desired effect freely, and here are a few of the key steps.
(1) Adjust the exposure. This is accomplished by means of a curve method. The main purpose is to further improve exposure and reduce contrast. Because here you can see the whole picture is very bright, so the main adjustment of a few parts: The dark part of the brightness to improve the overall brightness, the middle to maintain the current brightness to protect the details of the light to further improve brightness, so that the overflow more obvious.
(2) Adjustment of saturation. Lower the saturation slightly, making the color lighter, and providing more space for subsequent color increases. First of all, reduce the saturation of the entire graph, and then the green-blue appropriate to improve some, because this is the color we want to leave, so we need to keep some.
(3) Adjust the color balance. This step is more critical and more flexible. The main idea is: Gaoguanga, Shadow plus blue. This time I used the data is [shadow: -10/0/+20],[Middle tune: 0/+5/+10],[Gao Guang: +5/0/-15].
(4) Details. At present, whether there is some sense of the Japanese system ... If not, it doesn't matter!! We can also adjust some details ... Like what...
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