Filter
6, back to the background copy layer, hold down the CTRL key click Layer 1 to get the horse's contour selection, reverse, with the history of the brush along the edge of the horse's contour, will just be the glass filter twisted over part of the wipe.
7, in the background copy layer on the implementation of the Liquefaction filter, adjust the appropriate size of the brush as shown in the figure deformation. (pushed up from the water, the transition is natural, and the effect of water being pumped up.) After the liquefaction is completed, a snapshot is established and the history brush is positioned on the snapshot.
8. Pull a rectangular marquee on the background copy layer, perform filter-twist-wave, quantity 60, undulation 8, style for pool ripple.
9, with the history of the brush will just liquefy the effect of wiping back.
10, so far the liquid horse has been basically completed, the next to do the subtle modifications. Add some high light to the liquefied part and use low opacity white to increase the texture of the water on the horse (there are many ways you can create a new layer or work with selections, brushes, erasers, and opacity on the background copy layer). That's a lot of water. I did this by first making a 60*60 pixel diagram (pictured) and then defining it as a brush, with a white foreground, different sizes of brushes and opacity drawn up. This tutorial is an original course for www.jcwCN.com Chinese course web ice.