To you photoshop software users to elaborate on the Late late autumn of the color palette tutorial.
The above is the original film and after the effect of adjustment, to observe the original piece of green and the overall picture feel out of tune, destroying the overall mood of the film. The figure is no longer mysterious and elegant flavor, this is the original film to bring Me the intuitive feeling. So how to solve this problem, the key is the choice of green elements and the color of the surrounding environment, to solve this point, then this film thinking to the tune of all resolved.
1, the observation of the original film, sensing the original film conveyed the mood.
2. Adjust tone and hue by Lightroom or Camrea Raw.
3, Photoshop processing level details
Before we go into the ACR palette, we'll look at what the original piece is prone to during the color palette. First of all, is the color of the level of the problem, in late autumn, so this green original tone was I changed into the feeling of autumn. Yellow has become the main color, we in the palette in addition to pay attention to the yellow saturation of the progressive, we should consider the color of the dark part of the film, How to do, let us into the palette.
Into ACR, the left is the original piece of data, the right image is the basic adjustment of data, here I explain why this adjustment.
By observing the original film, we can feel the contrast of the original slice, the level is still great, but in order to highlight the texture and detail, we need to slightly enhance the contrast in ACR, the comparison will more or less the highlights and dark caused by the loss of detail, the principle I have in the previous tutorial also said, here again, The contrast in ACR is that by making the highlights brighter and the shadows darker to achieve the effect, this is bound to have an effect on the highlights and dark details, and then with this operation, in order to get a reasonable contrast and not want the details of the highlights and shadows to be lost, We increase the contrast while restoring the highlights to restore their details. As the contrast increases, the saturation of the color increases, which is why the saturation is reduced appropriately.
After the basic tone adjustment, we entered the color of the individual processing, ACE or LR HSL hue has provided us with a separate colored channels for fine-tuning, color three elements are also leaps. Usually, the color is the first adjustment, then the environmental color. This film is a special case, skin color part only bare most of the back, happened to our theme is also late autumn, then the protagonist changed to the environment color. Green to yellow process is also very simple, hue adjustment of green, yellow with auxiliary, while adjusting the yellow saturation and lightness, make the feeling of late autumn more full-bodied.
The above effect picture is the present stage appearance, does not feel and we anticipate the effect to be very far? Where is the gap? The horseshoes gap lies in the interpretation of the dark part.
The color of Mo nai in painting has a theory of coloring the dark part, with the traditional idea that the shadow is only black and brown is completely different, the painting of the dark part will not be like a fool directly on the black, but with the blue purple to complete the shadow Part I with the object Shadow also has a variety of colors, yellow shadow with purple, The shadow of the red flower is green, in Mo Shi's painting, the color replaces the shadow.
So, in order to make the details of the dark part richer, while avoiding the dull black part, we add color to the shadow in the separate hue of ACR, which enriches the detail of the dark part of the picture engaging. To tie in with the details of the adjustment, ACR curve I also made adjustments, believe me, the curve has a palette of the king's name, the curve of the tutorial, we will talk later.
RGB whole Dark part of the light is for the dark part to get more detail level, about this step is also called "dark part of the Gray", and in the blue channel, but also to the dark part of the blue fine-tuning processing, with the separation of the dark part of the color red, so that our picture of the darker color richer.
If so, we have obtained the following effect, this is also in ACR to achieve the basic effect, ACR or LR and PS relationship should be such, ACR, LT can achieve the 70%~80% of the screen effect, leaving the finishing touch of the 20%~30% will need PS horse processing, So let's take a look at the effect in ACR before we go into the PS phase.
In fact, we should develop a habit, in the conversion of ACR should be observed the problem of the film. Here I will use the diagram directly to show what the biggest problem is.
Yellow saturation problem, a picture of the color in accordance with the normal situation should be like this, the more near the saturation of the higher the best or warm, the farther away from you is the opposite, that is, low saturation cold color.
Here we see the yellow red circle partially saturated higher than the ground closer to us. So I in PS from the contrast and saturation of the upper and lower distance from the increase and decrease the saturation of the treatment of contrast.
Let the screen fade away, so that the near part of the screen jumped out to leaps. This is the eye of observation that we need to develop to fix the picture. The eye of observation and your aesthetic, surrounding environment, talent is closely related, so photography or later, learned that later is the internal force, is the connotation, is the aesthetic.
Photoshop software is dead, people are alive, let me heroes everywhere walk, everyone meritorious practice.
Well, the above information is small compiled to you photoshop this software users brought the detailed photo of the late autumn of the color palette tutorial share the full content, you see the software users here, now you are very clear about the production of the tutorial, So now you are going to follow the small part of the tutorial to share the production of it.
