Dialogue translation large data support my acting

"I will list the story outline, the character Destiny Line, the relation line, the prop line, the mood status line and so on." There are many forms to be made. I'm an actor with big data. Sometimes I draw a coordinate system, combining the entire text analysis, to identify the actor's emotional value at each point in time. "Soldier Assault" I began to do so, and later done better, which has a great help in acting. ”

Our correspondent Jong Yuting intern reporter Deng from Beijing/editor Ong

Southern People Weekly Micro-signal: peopleweekly

The entire September translation is in the interview of the assembly line. His "Dear" and "http://www.aliyun.com/zixun/aggregation/11976.html" > Golden Age were released during the National Day. At the premiere of the Golden Age, the movie theater next door was filled with actors and behind-the-scenes staff, clamoring like a vegetable market. Sometimes someone came to greet him.

"Are you still not used to such occasions?"

"I thought it was not customary, and later I knew that I didn't like it." It's a bit of a hassle. ”

He had a voice like a late-night radio station, steady and thick. The noise of the surroundings receded like a tide. The weary face was stretched and solemn. He looked uneasy, interviewed for two hours, barely looking directly at me, fiddling with a coin.

He said he was shy and not good at dealing with strangers.

In the entertainment circle, this kind of character inevitably makes him embarrassed. In fact, since 2006 in the "Soldier Assault", Zhang translation in the entertainment circle embarrassed 8 years. The embarrassment stems from his self-image and role-playing-he thinks he's an actor, but he's an entertainer. For example, at the Venice Film Festival, a journalist friend bluntly, you can not talk about entertainment?

Embarrassment is the normal life of Zhang's translation. Two days ago he reminded B of one thing, mentioned the name of a, micro-letter but sent a.

Over time, he was in love with embarrassment, and put embarrassing emotions into the play. He had a story in "wards": A man rummaged all his pockets only to find a match, without a matchbox, he threw away the match, and then he found the Matchbox, threw away the matchbox, but found a match.

The little people who used to be flawless, this time in the "Dear" tyrants, he found, "everyone will face embarrassment, no one can do whatever they want." ”

The most strongly and sad man in "Dear"

People Weekly: Last year you took a lot of family drama, became the audience's eyes of the "national son-in-law", will not be a bit tired?

I was in a bad state last year. The problem is not the repetition of roles, but I can't find a new way to break those roles. I am very discouraged, originally I have a translation of this look. But this year, especially in the "dear", I finally began to love the industry again.

People Weekly: You like to change lines in a play. Is this the Handezhong in "Dear"?

At the second feast, I bent down and kissed the children of the Yellow Sea. There was a comment that he was not going to kiss or chew, he was going to suck the child into his belly.

People Weekly: At that time Handezhong to give birth to a second child, feel betrayed the first children?

Yes, I compromised in that scene. It was fortunate for the children of the Yellow Sea to be found, but it was a total misfortune for me, for all my convictions had collapsed. I didn't talk to the director about this place, I was so sad when I was playing, how could this kid not be mine? So he kissed him a mouthful.

People Weekly: You do not have children in reality, how to understand the role of father?

I talked a lot with the character archetype Haiyang. I said, Ocean elder brother, have you ever thought of regenerating one, to lighten the pain? He said he was born, but he could not fade his thoughts on the first child. I mean, do you think this is a betrayal of the first child? He said no. He would have thought that before he was born, but life was always on the move, and when it was born, it would not. At the end of the first drinking scene, I added a section of the aria. The lyrics are a poem that expresses the sigh of passing with a lover. Sometimes the child is his lover, in a blink of an eye, you never see again.

People Weekly: You said you were too technical and not sensitive enough. This time?

This is a better balance. Every actor wants to be selfless, but that's not possible. There will always be 3 of me in the actor's heart: One is me, the other is the one who looks at me and the one who is the character. It's so divisive, we're fighting every day, trying to make the character's "I" Bigger and larger, and looking at my "me" getting smaller. Of course this "I" is still there, we just when he is not.

People Weekly: What are the advantages and disadvantages of sensibility and rationality?

The advantage of an emotional actor is that he can explode instantly. But his lack of reason will bring about the ductility of thought. Reason can shape the extension of the role and help the audience to imagine.

People Weekly: Take Handezhong, what is his "epitaxy"?

Handezhong is only a dirt rich, with ductility, he is the most strongly and sad man in this film. The audience would imagine what kind of person he was, how he dug up the first bucket of gold, and whether he would give up on the booze or not.

People Weekly: So, can you love this industry again, major or a breakthrough in acting?

Yes, I couldn't have been a drunk before, because I didn't drink, but this time I was able to play it out.

I don't know what kind of person I am.

People weekly: To become a "movie café", for you, where is the difficulty?

I know where I'm not. I don't have a face that will make the audience interested in spending money at the cinema, which is very passive. Most of the time, film actors have an image, followed by performance.

People Weekly: You play a character biography in every character?

Translation: Yes. I will list the story outline, the character Destiny Line, the relation line, the prop line, the mood status line and so on. There are many forms to be made. I'm an actor with big data. Sometimes I draw a coordinate system, combining the entire text analysis, to identify the actor's emotional value at each point in time. The data axis works, and you know what the emotional value is for each play character. For example, just appeared his young is 10 points of emotion, in trouble, fell to the coordinate system-20, and then to the lowest point of middle-aged life, may be-50. "Soldier Assault" I began to do so, and later done better, which has a great help in acting.

People Weekly: In addition to emotional values, other data?

Different forms have different functions, such as props, the role of smoking cigarettes when young, to middle age into a pipe, 60 years old when the time to change their own cigarettes.

People Weekly: How does this data help you shape the character's stereo?

Like the Hollywood film industry, they have very good data support, strictly according to the data implementation. But this kind of thing is too rational, must integrate the sensibility in the execution.

People weekly: In "Soldier assault", many people say you can only play history. Later, you play "My Regiment" and Meng Bored, "wards" Hemosio, the character of the two characters and history very different, up to today, your role seems to be the same personality. Do you deliberately avoid the "color"?

At that time it was angry. Just finished filming the soldier assault, some people say I am a "character", I think I am a professional actor, want to prove to you to see other characters can play. Now feel that there is no need to make their own steadfast is the most important.

People weekly: Which role are you closest to?

Zhang translation and history a bit like, and Meng bored a bit like, and Handezhong a bit like, but these roles are not like. I don't know what the person is.

People Weekly: Which one of the history of the body with you the most fit?

One of the most fascinating is the last scene to leave the army. I returned to Beijing the next day learned that the transfer report approved, immediately to leave the troops. We filmed the scene at Tiananmen Square that night, so the history in the film was a wry smile.

People Weekly: Many viewers believe that there is a strong female brilliance in history.

A: there is. I like this very much now.

People Weekly: Heard the sound of the voice of the period when you did not change, you just smoked the voice of a mute. Didn't like yourself like a girl?

I used to be a female trait. I grew thin, my mother is sick, need a quiet environment, I play the building blocks every day, has been fine sound of gas. The best thing about being a soldier in 10 was giving me back my real sex. I am from a child who does not like to eat, to a meal can eat 25 small steamed bread man, every morning run 3 kilometers, 5 kilometers in the evening, the Spring Festival to fertilize, feet directly on the dung tank, the winter digging garbage road, the garbage road was frozen, comrades tied a backpack take you to go in, you in the inside jump, under the fire, suddenly collapsed, Turn into a dusty monkey that is difficult to breathe. From then on I became a man from a boy. I miss you so.

People Weekly: "My head of my regiment," Meng who has a strong principle, especially sober.

I am also principled. Recently I have been learning how to express myself and not hurt others.

People Weekly: To the "wards" Hemosio, you see what kind of yourself?

The play was an experiment. "Head" a total of 1450 scenes, the whole film 90% is almost all my play, very hard. Play Hemosio, more relaxed, I used a kind of performance on the experimental way, Hemosio is a European-grown, I want to use foreign accent to reflect his logical thinking.

People Weekly: So there is Hemosio that classic line, "Hold On Man"?

This word is subconsciously spoken. I checked the dialect of old Peiping.

People Weekly: This play, screenwriter Lan Xiaorong suggest you "game spirit"? Did you do it?

To experience some. It's actually kind of like Zen. First the slack, then the game. A foreign accent like Hemosio is the state of the game. They began to worry about the game being played too much. Now come to think of something that I have, not hard work. Like me to do biographies, sometimes the effect is not necessarily good, too scrupulous. Sometimes I think, why not play the mentality?

People Weekly: Ning suggest you better drill through a class of characters, have you ever thought what role is best for you?

First of all, I want to accurately find my own position. But I have too many faces, many sides may not be good, what role can not play the ultimate. I reckon I'm going to be dying before I can figure out who I am.

I want to try not to make money on my face

People Weekly: In the "Soldier assault" when you suddenly fire, has not expanded?

29 years old, a little early. My mind is mature and late, and I'm a little bit reluctant to grow up now. I have such a mind, preferably in the age of 35 to succeed, can avoid the inner expansion. I took all the interviews and thought about how to pick each other's thorns and prove that someone else was a fool. Then I asked myself, why not be friendly? Why not be a good person?

People Weekly: Chat to now, you never look at my eyes.

I don't see people talking, they feel impolite, but I really fear. It took me 10 years to get rid of the habit of tearing the paper and tearing the plastic tablecloth at dinner.

People Weekly: You are inferior type personality?

Yes, I'll never be confident. Never feel good enough.

People's Weekly: Do you feel real when the fans scream?

They think it is true. But for me, it's not what I deserve, it's just a translation of the brand.

People Weekly: What is the place to love?

Almost no, nothing cute.

People Weekly: Why?

The reason why I never love myself is that I know myself. I admit that there are good aspects of translation, but there are also Mr. Lu Xun said "Pian hidden under the small", this "small" because I was born, how ugly I can see.

People Weekly: You can play a role like tearing paper at dinner?

Thank you very much for this remark. I've never played, I want to try a character to play a part in our kind of people. Lan Xiaorong told me not to tear the paper. I'm just embarrassed, I'm not familiar with the people at this table, I don't know what to do.

People Weekly: Now a lot of actors change to be director, does anyone ask you to be a director?

A: there is. But I didn't think about it. 11545.html "> We have the wrong perception that the director is more advanced than the actor. This is a complete misunderstanding. In a country where dramatic traditions are very strong, actors can earn merit medals and earn enough respect. But in our country, we regard this industry as entertainment. I often hear people say to bring artists, but actors and artists are completely different. The entertainer is the entertainment public, the actor is responsible for the theatrical performance, is responsible for the interpretation character's stereoscopic.

People Weekly: Will you play some of the TV shows that are not interested?

I'd like to try to earn a buck on my face. Not for the money, just trying to see if I can do it. I used to pick the script, I am very tired, and I work with people tired.