Network literature becomes "fat"

Absrtact: Recently, the Grand Literature CEO Hou An open letter, the grand literature of the beginning of the Chinese network of large-scale turnover of the storm exposure in the eyes of the public. It is not an accidental event that the industry is concerned about, it's

Recently, the Grand Literature CEO Hou An open letter, the grand literature of the beginning of the Chinese network of large-scale turnover of the storm exposure in the eyes of the public. This industry is quite concerned about the beginning of the chaos, in fact, is not an accidental event, it and the beginning of these years of development and network literature is not unrelated to the expansion. As the most important banner website of network literature, the beginning of the Chinese network to the majority of fantasy novel as the representative of the network literature writers, the first and the author divided into the fee reading, as well as book publishing, film and video games and animation adaptation of the full range of copyright management model, out of a network of the new way of literature profit. The starting point has been a number of ultra-high-rate writers as platinum writers, and these writers are more affectionately known as the "Great God", but these "great God" is not currently mainstream literature and knowledge of the class. Taking this opportunity, we review the authors and their paths of growth, and discuss whether online literature has entered the mainstream.

This Wednesday, the Grand Literature CEO Hou a speech inside the company, the purpose of the speech is to stabilize the morale. A week ago, he received the grand beginning of the Chinese network as many as 27 middle-level editors to family reasons for the resignation of the letter, and the beginning of the Chinese network CEO Wu Wenhui although did not resign, but at the same time to start sick, Hou announced the beginning of direct takeover.

Event network literature becomes "fat"

There are various versions of the collective resignation event in the starting point, but the various versions are mostly just a disagreement about the backers of the core team that started out, and Wu Wenhui is believed to be the leader who leads the core team away from the start, and will lead the Runaways Make a site similar to the beginning of the competition with Shanda literature. In fact, the starting point of the writer has begun to be Xiao Qiang Mouth "competition partner" poach, Hou in the internal speech, the beginning of some contract writers have been suggested to tear with the beginning of the agreement. "The other person is to see a piece of fat drooling, we do it as a business to operate." "Hou Xiao Qiang Mouth" Others "obviously refers to the network literature commercial value is willing to pay a large price poach competitors.

11 years ago, when the starting point was founded, no one thought that they could earn money by writing on the Internet. More no one thought that in 10 years, a company called Shanda literature in the first quarter of 2012 to achieve the gross margin of 66.93 million yuan, and let the grand literature in the establishment of 4 years to achieve profitability, which the beginning of the Chinese network played a role irreplaceable. And according to the report of the Grand Literature, 2011 Annual revenue of 701 million yuan, gross profit of 212 million yuan. What is the 11, let the starting point has such a result, and network literature from the obscurity of the year to today to become investors eyes of a large "fat"? In Hou's internal speech, we seem to be able to track down clues and reasons.

Platform thousand word two business model is unprecedented

Hou's speech involved three parts of online literature, and he first talked about the platform. "When the founder started the business model of the thousand-word penny, it was actually a great innovation," he said. The founder of Hou is Wu Wenhui.

"No charge is to die, the charge is to find death, we are willing to try." "This is Wu Wenhui's famous saying.

In the November 2001, Wu Wenhui and 5 other online literature enthusiasts opened a forum on the Internet, the Fantasy Literature Association, these 6 people at that time QQ name is Dark Heart, Jianfeng, Tibetan Jian Jiangnan, Italian, dark left hand and 5th ants, they live in Beijing, Shenyang and other 5 cities, when they have their own work, The Management literature Forum is entirely amateur. May 2002, the association prepares to set up the starting point Chinese net, the second month starts the trial operation.

When Wu Wenhui initially proposed the VIP charge mode, he heard too much opposition voice, some people think he is degrading, and some people think that in all literary forums for free reading, he launched a charging mode is to find death. and Wu Wenhui said, the starting point was very small, rely on interest to consume, do business is to profit.

At that time the starting point, less than the largest literature site 1/5, but chose to carry the banner of the charge. October 2003 beginning of the official launch of the VIP reading service, thousand words 2 cents fee standard to later became the industry standard. In the introduction of 8 months, June 2004, the beginning of the Alexa (global site rankings) jumped up to the 100th place, became the first in the domestic hundred strong original literature portal.

October 2004, the beginning was Shanda acquired. This time the starting point has made the industry, registered members 1 million people, the author team of 20,000 people, monthly profit of more than 100,000 yuan. From the beginning of 2004, there has been a constant venture to find a starting point of contact, but also includes such as Tom, Shanda, such as internet companies. In the end they chose a big, powerful resource.

Resources should give authors resources and material incentives

Another foundation for the success of the starting-point model is their huge author resource team, which is the second part of Hou's talk.

The first month when the charge was introduced, there were only 23 VIP works in the beginning, and the choice of the author was 3:7, the author streams. Wu Wenhui that the quantity and quality of the work cannot be guaranteed without a material level of motivation. "For the blog, you can say that I am not in a good mood today, do not write." But for writing a book, this is a very bad thing, because the article today to see no tomorrow, and then regularly out some things, or completely disappeared, this kind of situation for the reader is a great harm. But you can not go to blame writer, he will say I also want to eat, every day lying on the internet to write two hours, everyone hua drum the palm is over, I also need to necessities YOUYANJIANGCU tea every day, I insist on writing 35 months also line, has insisted on not. ”

And the first month of the introduction of the way, there are more than thousands of authors royalties, the authors found that the original network writing can have a huge income. To stick to the resources of the collaborators, the starting point is not just income sharing, 2006 they launched the "Start Platinum writers" mechanism, these writers are also known as the "Great God", these "great God" is an enviable annual income of millions of network writers, as of May 2012, the starting point of a total of 29 platinum writers, including Tanggu The moon and so on also joined the Chinese writers.

March 2007, the beginning of the domestic network to launch the largest large-scale author training and incentive Program, the "Petajoules action" program to provide the starting point of more than 1 million yuan each year with the Shanghai Academy of Social Sciences to organize a writer class, all the contract writers have annual salary protection, and a variety of incentive mechanisms. Years of operation down, starting point of the number of authors million, each month genuine independent users nearly 100 million.

It is because the starting point for Shanda to provide excellent author resources, Shanda online companies today occupy the entire industry market share of 80%. Hou also said that the Grand Wireless is China Mobile 60% content suppliers, the Cloud bookstore has also exceeded 20 million of the user size. Next, Hou wants to achieve further resource consolidation.

Industrial chain "ghost blows" into a classic case

In the third part of the speech, Hou Qiang mentioned that the industry chain bigger and stronger problem. The original content produced by the powerful author resources is derived to other industries, in the derivative process of the industrial chain, the most typical successful case of the early stage is "Ghost blows".

2006 "Ghost blows" quickly jump to red, let this novel in addition to genuine sales, the surrounding copyright also sold unusually prosperous. English, French, Thai, authorized comics, film adaptation, game adaptation, audio adaptation, a series of derivative products sales greatly exceeded the expectations of the Wu Wenhui team. At that time they were pleasantly surprised to realize that the same copyright can be developed in the business model can be so many. Synergy to let them also tasted sweetness, "ghost blows" of the online game development is an example, the past a network of promotional costs from millions of to tens of millions, and "ghost blows" greatly reduced the cost, starting point on the platform up to hundreds of millions of users know the novel. In two years, the starting point from the "Ghost blows" on the income reached 5 million yuan.

At the same time, wireless services to become a grand and even the whole network of new growth point of literature, 2011 Grand Wireless business revenue reached 174 million yuan, an increase of 188.2%, and in 2009 this income is only 5.763 million yuan. Hou's data show that, on March 2, 2013, the number of paid orders in the cloud bookstore exceeded 25 million, and nearly 700,000 e-books were downloaded.

Hou always like to compare the grand literature to an apple, interestingly, this is the metaphor used by Wu Wenhui. Wu Wenhui said the Apple can be auctioned, can be made into apple sauce, the content adapted into games, movies, mobile articles ... And many industrial chain operation and layout, but also hou eye apple garden more abundant scenery. In his internal speech, Hou said his point of view was no longer confined to a literary website, and that Shanda might then set up a small screenwriter. At the beginning of this year, the board of Directors resolution by entering the sound, comics, writers and other markets.

Online literature in the industry will accelerate the pace of

And Wu Wenhui led the beginning of the core team to choose to run away at this time, part of the reason is also because in the beginning of many years accumulated from the platform, author resources and a number of industrial chain to let network literature from the former penniless into the eyes of today's management of a piece of "fat", the plate is big enough, the matter of a cup of soup naturally appeared. Senior IT commentator Cheng wrote that giants like Baidu and Alibaba are willing to fund the start of the core membership because the Mobile Internet war requires copyright barriers, and this year, the online literature of the legitimate reading process will also be accelerated.

It is worth mentioning that this is not the first time the departure of the incident. As early as 2006, the starting point has been a large-scale editorial run out of events, the editor ran out of the 17K original novel Chinese network, and took away a group of senior authors. Looking back at the scene two years later, Wu Wenhui said, "For some people, is it a lawsuit or not? No matter what choice, there is only pain and pain." Because I always want to choose a solution that is good for the company and others, but no matter how the decision is not the same. ”

Today, Hou also face pain and a more painful dilemma. However, the pace of online literature continues to move forward, it seems that no one can stop at the moment.

This edition/Beijing News reporter Jiang Yan

Shao Yanjun: Network literature is completely possible to become mainstream literature

"Become mainstream"

Shao Yanjun

Associate Professor of Chinese Department of Peking University, was born in Beijing in 1968. He was admitted to the Chinese department of Peking University in 1986 and received a Ph. D. In the Chinese Department of Peking University in July 2003. The Leaning literature field--marketization transformation of contemporary literature production mechanism, research on the phenomenon of "beauty literature"; won the 2005, 2006, "Southern Literary" outstanding Thesis Award, elected "2006 youth critic." In recent years, focus on online literature and open discussion courses in Peking University.

The way to start the research from the work of the fishy

Beijing News: When did you begin to pay attention to online literature?

Shao Yanjun: 2004 years or so I and some of the younger brother, sister, the study of contemporary literature periodicals, after five or six years, I think it is very marginal, no upward growth, I have a deeper understanding of this crisis, there is a sense of persecution. This time I have to look at online literature, because I do not know how the Internet literature. Another impetus was the eighth meeting of the Seventh Presidium of the Chinese writers in 2009, the Bureau invited several experts to report on the latest frontier status of contemporary literature, I was commissioned to observe the network literature, and later my article also published the "traditional literature production mechanism crisis and the formation of new mechanisms" began to pay attention to it, But did not really enter.

My real concern was that in 2010, I started a discussion class on online literature at Beida, which is now in its 5th semester. I took part in a seminar organized by the Chinese web and the Chinese writers. I was divided to see "I eat Tomatoes," the novel, when his works compared to "small Bai", then a friend to help me introduce a trick of the novel "Guest", I read after that it is worth studying, I have the confidence to open this class.

The trick inherited the spiritual tradition of traditional literature

Beijing News: Is it your favorite online literature writer? Why does he attract you?

Shao Yanjun: Yes, I really recommend him. I value him two points, one thing is that he has a master. Now each website has "great God", the trick is also called the Great God of the beginning, but I think he is the author of the Master.

2nd, I think he inherited some kind of traditional literature or the spiritual tradition of elite literature. There are two traditions in the novel, the first one is the tradition of Jin Yong in the popular literature, the second is the tradition of the new period literature road remote, the kind of the low-level youth struggle mode. Not only is the martial arts high, but also the character grows.

The great God copied the real world, the master reversed the world

Shao Yanjun: Network literature is to create the second world, people in the second world can satisfy a lot of their own desires and imagination, this is the key point of network literature attractive. There are laws in the second world, which seem to be made by the author, but in fact we need a sense of generation to enter the world, so the author must refer to the logic of the first world in building the Second world.

BEIJING News: Why?

Shao Yanjun: The works of the great God reproduce the reality of the real world, such as a lot of small bai, the world let him feel depressed, is a wolf eat sheep world, he will in the second world again copy a more fortified Wolf eat sheep world. How can he make you feel good? He will make a real world of sheep to be a wolf, is very cool, but after the cool, there will be a greater sense of oppression. What is a master? The master truly copied the logic of the world, and at the same time he had the ability to reverse the logic of the world and re-establish the beauty of the world.

must participate in the mainstream literature construction, can become the mainstream literature

Beijing News: What trends and changes have the Internet literature developed over the years?

Shao Yanjun: The Internet literature was originally the Wenqing era of the representative of Anne Baby, and then the capital entered, such as the grand literature, the beginning of the Chinese network, then slowly typed literature. Typed literature is closely related to the audience and the media, such as computer, mobile phone reading popularization, there are a large number of primary and secondary students and migrant readers, which may affect the direction of writing. I hope that online literature will not be more and more integrated, all mainstream to go together, but can use the network this form, divided more and more thin.

Beijing News: Is it difficult to become famous in the new author of online literature today?

Shao Yanjun: Maybe it's getting harder. Just to see a figure, the great God-grade writer's income accounted for the net author's total income of 90%, mostly at the bottom of the writers.

Beijing News: Do you think that the mainstream literary circles have enough attention to online literature?

Shao Yanjun: Not enough. Now the mainstream literature on the network of literary attention is actually relatively passive. My feeling is active attention and not enough, but the network literature development too fast, have to pay attention to. It was 2008 years before I began to pay attention, and those of us who engaged in literary criticism turned a blind eye. This may also have to do with the development of Weibo, because Weibo invented a lot of new words, for example, Shing, endure enough body, Yuan Fang, including "Cock silk" and so on, they quickly popularized, even the people's daily use "cock silk", the department's official documents are used Shing, suddenly we will feel a crisis, if not concerned, was left behind by the Times, If you don't understand what you're saying, the power of speech has changed. The literary circles have felt this more and more these two years.

Beijing News: Is there a day when online literature becomes mainstream literature?

Shao Yanjun: It's possible. This is one of my judgments, it is entirely possible. The mainstream literature is the popular literature and popular culture in the international definition. In China, it is not necessarily the literature of the most popular readers, but it is the mainstream literature that must have the leadership of the public readers. We now speak of the mainstream literature, that is, traditional literature, not the problem of less readers, the most fatal is the network literature such type of literature lacks elite leadership, others do not recognize you. But the network literature must not only have the public reader, but must participate in the mainstream literature construction, it only then becomes the mainstream literature. It may not be able to generate such things.

Beijing News: Recent attention to the beginning of the Chinese network thing? How will this matter affect the industry?

Shao Yanjun: I know, but I can't comment. It may have a very big impact and I haven't made it particularly clear so I can't comment. How to go in the future, I do not know, need to continue to impact the incident, not necessarily we can predict.

"The Great God" the writer counts "

The World Pa Sings

"Ghost blows" to create a successful case of copyright development

Real name: Zhang Pastoral Year of birth: 1978

Type of work development: books, movies, games, comics

Social evaluation: The Oriental Mysterious culture and the world's popular cultural elements into one, for genre fiction has laid a deep Chinese brand.

2006 Spring Festival, the world Pa sang in the beginning of the Chinese network "Ghost Blows", "Ghost blows" in the online quietly popular, began a large number of "filament" waiting for the update. September, Anhui Literature and Art publishing house first published the "Ghost Blows" entity book. August 2007 Hong Kong director Johnnie bought "Ghost blows" film adaptation rights, August 2009, according to the "Ghost blows" adaptation of the game also began to test. "Ghost blows" This "expansion" mode of operation has also become the starting point of the successful case template.

Three uncles in south School

"Internationalization Stories" favored by Hollywood

Real name: Lei year of birth: 1982

Type of work development: books, movies, games, comics

Social evaluation: China's most storytelling novelist, the proponents of the imaginative plot.

If we talk about the "tomb-robbing era" of Chinese popular fiction, another works also have to mention, that is the south sent three uncle's "tomb-robbing notes." This start in the beginning of the Chinese network of novels, just finished the first chapter, it attracted millions of threads. 4 months later, the "tomb Grave note I: Seven star Lu Palace" sample booklet has been sent to lei hands. In 2009, Hollywood sent the company to take the initiative to find Lei, bought the "tomb-robbing notes" film and television copyright, Paramount's evaluation is: "The story is very international, suitable for filming the" Indiana lost the "big production. ”

Tanggu three Less

"Code God", first accepted by mainstream literature

Real name: Wei year of birth: 1981

Type of work development: books, games, comics

Social evaluation: The biggest achievement is to promote the current most applicable yy novel mode, to meet a series of readers needs, but also fill this gap.

Tanggu three less began to create network novels in 2004 years. 2006, became the beginning of the "Platinum Writer". Tanggu Three less told reporters, since joining the starting point, signing the way that is buyout, that is, by thousand words calculate price, at that time every month from the beginning of income earned about 20,000. There are data shows that the beginning of the year to Tanggu three minimum guaranteed remuneration of 6 million. Tanggu three less in favor of multiple copyright operation mode, he will most of the copyright to start care. At present, his "beads Change", "the mainland" and several other novels have been authorized to adapt to the game, and "the Mainland of China" adapted cartoons are also popular.

I eat tomatoes.

"Little Bai" Achievement network writer typical

Real name: Zhu Hongzhi Year of birth: 1987

Type of work development: books, games, comics

Social Evaluation: "The novel does not read the stars change, it is called the Bookworm is in vain." ”

I eat tomatoes should be counted as the starting point of fame, the development of a typical network writer, initially in the beginning of the Chinese network published works "Star peak legend", and then the creation of the novel "Inch Mans." And since the "stars change", I eat tomatoes began to hit a miracle. "Star Change" broke the beginning of the Chinese web collection, click, subscribe and other records, and after the "Panlong" and broke the "stars change" record. Two novels are also 1 million and 3.1 million respectively by the Grand game buyout copyright, adapted for online games. The reason why I am popular with tomatoes is largely due to his "little Bai" style. "Small Bai" refers to the novel that the language is straightforward, the plot is simple and the role is Facebook.

Day Silkworm Potatoes

The youngest "tens" fantasy everyone

Real name: Hu year of birth: 1989

Type of work development: books, games, comics

Social evaluation: His grudge set, now also become YY authors follow a model of learning, open leekpai, faint there have been three less tanggu, I eat tomatoes, such as the wind of the older generation of fantasy authors.

1989 Birth of the day silkworm potatoes, birthday only 3 days to become a. Days of Silkworm Potato High School did not graduate, all day on the Internet to read novels play games, to find work also become a problem, until 2007 in the beginning of the first series of the series "Warcraft Sword of different boundaries." 2009 Day Silkworm Potatoes in the beginning of the serial "Dou Breaking the Sky", the novel once launched will be ranked first in all kinds of novel. "Dou Breaking the Sky" authorization is also very popular, only the game licensing development of the Web page and client two kinds. These achievements make the day silkworm potatoes become the industry's youngest tens of millions of dollars worth of network authors.

Li Jingze: There is no need to discuss whether online literature is mainstream

"Become mainstream, no"

Li Jingze

Born in 1964, he entered the Chinese department of Peking University in 1980. After graduating in 1984, he worked in the novel Portraits and was editor-in-chief of the Journal of People's Literature. In the middle of the 90 's the beginning of the criticism of writing, the Chinese Literature Foundation Feng Mu Literature Award Youth Critic Award, "Chinese Literature Media Awards, annual Literature Critic Award." 1998 joined the Chinese Writers Association. is now the Secretary of the secretariat of the Chinese Writers Association.

There was this type of literature 100 years ago.

Beijing News: Do you usually pay attention to online literature?

Li Jingze: It is difficult to absolutely say is the attention or not pay attention, because still will look at some things, and some even if you will not see, will hear, will see TV play "Step by Step", "Huan biography" Ah.

Beijing News: Which works are the first to see?

Li Jingze: I don't think online literature is such a new thing. I think, martial arts novels, romantic novels, officialdom, the case, and so on, almost 100 years ago, but we have a considerable period of time after 1949 years, in the mainstream cultural media to suppress this, in the late 90, through the network gave it an opportunity to make such a demand, This direction of writing has been greatly developed. So I think in fact to some extent, now the network literature and we forums this generation is very small time to see Qiong Yao, after looking at Jin Yong is actually the same.

The Beijing News: So the network literature just changed a form? Changed to network media?

Li Jingze: Of course I think the medium is meaningful and important. If there is no network, we may not see such a revival of a large-scale genre literature. Mainstream media, cultural review system for a long time to completely shielded these, may be precisely the network to give it such a space, is precisely the network of a person's repressed reading desire to release, to some extent this is indeed the network of this special force of media.

The theory of network literature is Chinese characteristic

Beijing News: Do you have an impressive author or work?

Li Jingze: Like "Huan Biography", "Tomb-robbing notes." "Tomb-Robbing notes" my mother likes to watch, and then I also looked at why the old lady loves to see? First, it looks good, second. In varying degrees, these novels use some of the Chinese traditional and foreign types of literature resources, but at the same time it does have a lot of interesting free imagination.

Beijing News: I heard that Shao Yanjun recommended the works to you?

Li Jingze: She may be the kind of person who cheers for new things, of course, it's always good to be new, and the popular thing is always good, like the flu is worth it. In fact, I think cheering or not cheering or not, nothing particularly big significance. From a long period of time, we now say "network literature" I think to a large extent it is the appearance of genre literature. This type of literature it embodies this cultural interest and the desire to read in any culture is a basic element. In Europe and America, in fact, they do not have online literature, you and the European and American people say that online literature they will be very confused, but if you tell him that this is written tomb robbers, is written officialdom, is the workplace, they understand.

Beijing News: So the theory of Internet literature has Chinese characteristics?

Li Jingze: Yes, yes, it does have Chinese characteristics. Anyway, I know the European and American friends talk about online literature, the other side basically do not know what you are saying.

It is not necessary to discuss the mainstream

Beijing News: Do you think that the current mainstream literary circles have enough attention to online literature? Is it too much, or too little?

Liang Ze: What is the mainstream? Now from the market sense, network literature is the mainstream, or the type of consumption of literature is the mainstream. You go to see the best-seller list, there is a time old Mo won a prize, the first few are old Mo, if not old Mo won the prize, the first few basic are genre fiction. I think we might need a little more of a normal mind.

First this thing is very normal, everybody likes very normal, so many people write also very normal. Second, does it necessarily mean that we have to focus on it? When a thing comes to you, it really means you still think it's weak. And it's really strong, isn't it? In this sense, I think we need a normal literary pattern of the corresponding mentality.

In culture, the popular and popular culture must occupy the mainstream of the market. For example, we can not say that symphony is the mainstream of the market, it will be human life! It must be the mainstream of pop music, which is very normal. But not we must every day tangled in the pop song Great or Symphony great, is the era of the pop song or the symphony of the era of the end? In fact, there is no such thing as who to replace. As I mentioned, the basic pattern of the long market in Europe and America is certainly the overwhelming majority of genre literature. Even in the 30 's, the sales of Hen's is higher than Lu Xun's sales, much higher. Some things are actually very normal, it does not necessarily have to send some questions, such as our cultural structure is not the great mainstream, Lu Xun has no value or how. I think it is absurd to get such a conclusion. Some things in China I do not feel necessary, we are immersed in some of our own created problems, we must say that this is a spear, that is the shield, so that each other, to attack the death of who will be completed. I think it is not necessary, I think this is an abnormal cultural mentality.

Beijing News: A lot of other academics don't think like you.

Li Jingze: I know, a lot of people either means that online literature is very vulgar, or that this represents the great direction of the times. In fact, I think we sometimes look at a lot of things may need some historical perspective, but also need a Chinese literature to the world in the horizontal comparison of the vision, rather than a fuss of the eye. We now often see this in front of this thing, corner "Ouch! The world has changed!" In fact, it is eight life before all the things, but we did not encounter it.

C04-C05 version of the Beijing News reporter Jiang Yan yulili Liu Yasing Trainee reporter Jiangnan Intern Wu Yue

"The Great God" the writer counts "

Fishy

"Deep bosom" won praise from traditional writers

Real name: Xiao Feng Year of birth: 1977

Type of work development: Books, comics, film and television

Social evaluation: The text style is exquisite, the structure is orderly, plot is ups and downs, the connotation is profound, obtains the double praise of Netizen and traditional writer.

In the face of more and more younger writing groups, 77 was born of the "older". 2006, the beginning of the signing of the Chinese network, the introduction of the novel "Rosefinch Kee." The work allows him to complete the transformation from the Internet "shrimp" to "great God". 2008, the more than 4 million words of the creation of the "Qing remaining." "Qing remaining" text style exquisite, structured, plot ups and downs, profound connotation, causing widespread concern, only in the beginning of the Chinese network total clicks on more than 20 million.

Dance

Style conversion and current synchronization

Real name: Chen Bin Year of birth: 1981

Type of work development: Books

Social evaluation: "The works of evil, cunning, lust and other elements, is absolutely imaginary, without actual experience." In fact, it is a good hearted young man.

Since 2004, "The Hippies" began, dance has now completed the "demon Law", such as seven of works. As his web name "Dance" with a bit of banter, in the beginning of the Chinese network of a large platinum God, he is known for the evil route and spoof route. Resigned from 2004 writing, dancing to try the martial arts, urban, fantasy, fantasy almost every category, from "Light Sword Merry" to the "desire of the City", and then to the "face-changing warrior", "extreme Rogue", "awe-inspiring Evil," "Demon Law", "King" and today's "hunting country." The conversion of its work type is almost synchronized with the change of the network novel trend.

Xu Gong

The line is proud

Real name: Xu Shengi Year of birth: 1974

Type of work development: Books

Social evaluation: From an observation of the market "1, 2, 3, 4, 5, 6" analyst into the Universe and society to observe the "heaven, earth, people, ghosts, God, Spirit" analyst.

Xu Gong, and "Ghost blows" the author of "The World PA Sing" experience quite a bit similar. In the securities field of busy and after joining the WTO work, he in the fantasy novel release his own unrestrained and escapist mood. 2006 began writing in the beginning of the Chinese web, the following year began full-time writing, as of May 2012, "the pivot" of the end, Xu Gong 6 years to write nearly tens of thousands of words, was Chen called favorite writer. Compared with the beginning of the same period of the great gods, Xu Gong's preference for traditional culture, his writing is relatively concentrated in the "Gurgaon" "Write Ancient" "Immortal novel", and dabble in a variety of traditional religions, philosophy, classical poetry and so on, the cultivation of Taoism--alchemy surgery has also been studied.

Chen Dong

The perfect combination of suspense and the Swire War.

Real name: Yang Zhendong Year of birth: 1982

Type of work development: books, games

Social evaluation: The creation of the Swire War, the mountain Gate, "God's Tomb" is also thought to be created by the Jiangnan network fantasy suspense flow representative.

"Pit God" Chen East to "God Tomb" a literary name, was evaluated as is to create the Swire War flow this gate, will be the suspense and the Swire War perfect combination, embodies a grand meaning, achievements of its "pit God" of the head. He has a gentle face and a mild character. A scholar-like, is considered to be good character, because the reader scolded from not retaliate, no matter how vicious troublemakers scold, while writing concise, do not love the muddy, the characters are vivid, regardless of the hero or beauty, are lifelike, even if the bit role, but also very fresh.

Monthly closing

Aerial historical novelist

Real name: Wei Lijun Year of birth: 1972

Type of work development: books, TV series

Social evaluation: It is a representative writer of the writing network overhead historical novels.

The monthly is a representative writer of the network overhead historical novels, which has great appeal in Taiwan area. Since 2006, the creation of "subversion of laughter and pride," "Return to the Ming Dynasty when the Sovereign" "Wolf God" and so on. One of the "return to the Ming dynasty when the Rajah", by the book Friend Evaluation as "2007 book Worms have to read the novel." Many people in the business and entertainment sectors, such as Chen and Emil, are fans of the month. 2011-2012, the monthly closing of the two consecutive sessions of the Chinese Network Gold Keyboard Award for the annual writer and the annual work of two titles. Its new novel "Drunken Pillow Jiangshan" Also in the beginning of the Chinese network serial.