The wonders of TV history-why is the Game of Thrones so popular around the world?

In the fourth season of the Game of Thrones, it's a very clever gamble that makes us all convinced that the smart gambling is going back to the sword, the Furong account, and the heavy work of our TV and computer screens.

Have to admit to George. R.R Martin's original novel, "The Song of Ice and Fire," is also a best-selling novel, but it is hard for the television to profit from the sheer number of readers of this epic magic book. Martin's book is filled with a tangled family of characters-the knight in sunken armor, the maiden to be liberated from the chest, the dragon stolen from the fairy tale-and the book is less likely to be a bestseller. And the legendary writer and producer Wens Girigan the "to be the villain" to sell to AMC TV station with a "teacher becomes a scoundrel" to wrap. It would be a "sword-and-dagger family" that could be used to sell the show to HBO.

It is a risky move to build a story in a shattered virtual world like medieval Europe, but Benioff and Daniel Wess have a clear plan for the episode. They wisely joined the compact rhythm of suspense fiction and the nudity of the B-slice. The dramatic antics have attracted a large audience--5 million people have drawn attention in the third season of the Game of Thrones, but blood and breasts alone do not fully explain why the show has swept through social media. And as we see through the cruel and cruel surface of the Game of Thrones, the return of classical escapism is revealed. It invites viewers into a world where only swords and horses can solve problems.

In order to satisfy the audience's escapism demand, "the game of power" reshaped a kind of film and television genre: Historical myth legend, this is a kind of once even the movie and television subtype type also not to be counted to be serious like "Bing Xu" and Rey Harrihausen the early animated Genie movie style.

Classical Myth movies and its close relatives-medieval myths and legends-are usually full of kitsch and vulgarity. Television producer Robert Perkins explored the 90 's by "Xena the Warrior Princess". The Game of Thrones also contains the swagger of the 1938 classic movie "Robin Hood"-Errol's muzzle and the head of a brush. The TV play is due to George. R.R Martin is not a pure literary writer, he is like a wool yarn spindle, cleverly weaving a large tapestry filled with the plot of the intersection of each other.

Unlike the escapist style of the Game of Thrones, typical costume dramas are often based on and confined to historical facts--and historical facts are to the audience the content of sleeping in school, as annoying as mosquitoes. Dependence on history tends to slow down the plot, making it a quagmire for TV dramas such as "Rome" and "Spartacus". "Game of Power" as a magic play, but can let the plot unrestrained development, like Amelie Clark played the Princess Daenerys fire like the fire of a dramatic blaze.

Of course, it also depends on the "Game of Thrones" which is an unforgettable role for a good actor. One of the most high-profile to Count Peter Dinlaki, play Lannister-for wine, beauty and retaliation has a genius to control the noble little demon. He endured all the mockery of his diminutive stature, profiting silently from it rather than furious--the dream of every bully. Dinlaki the role as a "tricky God" without brute-tongue, manipulating others for his own profit. Lesser-known actors such as Massie Williams, the brave tomboy Aliya Stark, and Linda Na Haiti, who plays the trick woman Wang Seixi Lannister, have also quickly won over a large group of fans. Respected old dramas such as the Charlis Dans of the Crown Jewels and the Diana Rigg of the Avengers reflect both the producer's accomplishments through traditional performance, the determination to bring the episodes into the Annals of Film and Television, while at the same time putting Martin's elaborate and fanciful history into a small screen.

The subject is fundamentally an original attraction. Author George. R.R Martin's persona network, though messy, has a simple moral code that makes the Game of Thrones appealing to viewers, and the Laura Deng of the modern ritual enlightenment drama of HBO's halved episode. If your first priority is simply to keep your head and not move-or not to be eaten, like the Walking Dead-and another show of innocence-then all the other problems and worries are irrelevant. In an era when people are forced to go back to the dreaded job market for fear of annoying their bosses, or to pay their monthly mortgage wisely, watching the escape of the leaders who can be wiped out in the escapist drama, the whole show is instantly attractive. Because the illusion of revenge and victory is very realistic-everyone will resonate, even if you know you can never command the dragon to serve you.