Film Committee members FAQ: annual output of 526 half of the evaporation

"Aftershock" poster according to Xinhua news agency in 2010, China's film production reached 526, after India and the United States. However, there is another number behind this number that concerns: of the 526 films, only 260 of them went into the cinema, and half of them seemed to have evaporated; In addition, even in the film in the cinema, a large number after a day or two has been removed, by the industry dubbed as "Theater day." What is the reason why so many films can't go to the cinema? Is this a normal phenomenon? Where are they?　　In Beijing to participate in the NPC committee of the film industry CPPCC members on this resolving.　　Zhang Haijun, president of the National CPPCC and Beijing Film Academy, said that this is the problem of the structure of Chinese film industry, the bottleneck is the number of screen or too little domestic. From the SARFT data, 2010 China's new screen 1533, an average of 4.2 new screens every day, however, this and the market capacity is still a big gap. It is understood that the average 8000 people in the United States have a screen, South Korea has reached 20,000 people have a screen level. In our country, with the urban population, the average of more than 100,000 people now have a screen.　　Even in the country's leading Beijing, the number of screens in the end of 2010 topped 500, and only reached 34,000 people with a screen level. "The movie theater is what I sell to make money, and I don't pay any other films."　　"The fundamental way to solve this problem is to encourage more cinemas and to increase the number of screens," Zhang Haijun said. Li Maikuan, chairman of the National Committee of CPPCC and the Chinese Film Association, said viewers could not see more domestic films as the responsibility of the current situation is mainly in the theater operators. Now the movie theater line a brain to aim at the big star, the big production, but most young director's work cannot have the big star, the big propaganda, the big production. "We hope to take care of the small and medium sized films, because most of the Chinese films are small and medium sized, especially the production of many young filmmakers, I think we should broaden our horizons."　　Li Maikuan said. Xingdong, president of the National Committee of CPPCC and the Chinese Academy of Film and Literature, analyzes this phenomenon more from the perspective of film creators. He said that any literature and art works have a high quality, film arts production, as long as it does not violate the film management regulations, even if the quality of art or business is slightly worse, censorship will have to pass, but the performance after entering the market to see their competitiveness. In a certain market capacity, the fittest is the natural law of the market. "Part 526 is just a yield, there are good and bad, such as" Aftershock "" the founding of the great cause of "this carefully produced film attendance is also good, but some things do not, their own investment is small, please not to the star, more important is no way to publicize, this film can not go out.　　Xingdong said. The CPPCC member, vice chairman of China Film Association, director of China Film Group Yin, gave another explanation. January 1, 1996, the SARFT Film channel began to become a domestic film in addition to the big screen and the audienceAnother important docking window. "But in a few short years, the movie channel has finished filming the film industry for more than 30 years, then replay, but after three times five times, the main source of support for this channel became scarce, the concept of television film came into being, with the volume of a TV series set up, dedicated to broadcast on the film Channel. It's called a digital movie. Yin said. In fact, he said, the hundreds of feature films produced in China each year accounted for a significant number of film-channel broadcasts.